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An Exclusive Masterclass Led by Teacher Kwak
This masterclass welcomes participants of all skill levels, from beginners to advanced potters. While the core curriculum is accessible to everyone, we provide personalized 1:1 guidance to cater to each individual’s level and aspirations throughout the class.
This course is ideal for those looking to work with clay at a large scale. It also suits those who have experience with handbuilding and wish to acquire new skills, streamline their workflow, or diversify their techniques. Regardless of your experience—whether you have been working with clay for days or decades—you will find the Onggi process to be a rewarding and enriching learning experience that deepens your connection with this versatile medium.
Traditional onggi techniques have been learnt and used by generations of Korean potters; you will learn the same movements that were being used thousands of years ago to build strong vessels efficiently.
A Cultural and Practical Introduction to Indigo Dyeing | Saturday, March 8th - Led by: Rachael Louise Elliott and Lam Thuy Vo
Indigo is coloring created from the leaves of the Indigofera tinctoria plant (it’s a bean/legume!). It can be used to dye yarn, fabric or other fibers. The shrub is planted and used in West Africa, Indian and Southeast Asia to dye fabric a dark blue color.
In this workshop, students learn about the significance and uses of indigo throughout various cultures. Students will also have the chance to dye yarn, a small handkerchief-sized piece of fabric, or a small item of clothing, such as a t-shirt or tank top, using indigo.
This workshop is geared to beginners. Students are encouraged to bring a small piece of white clothing but will be provided a handkerchief-sized white fabric if they would prefer to dye that. Instructors will provide wax and tools for batik, rubber bands and string for tie dyeing, and the indigo needed to dye the fabrics.
This workshop series is for BIPOC participants.
ArtShack Brooklyn is thrilled to host Printed in Clay, a hands-on workshop led by artist Andrew Robinson, exploring the intersection of printmaking and ceramics through a bold, graphic lens. Drawing inspiration from the raw immediacy of Atelier Populaire and the visual language of French agitprop, this workshop introduces participants to silkscreen, stencil, and monoprinting techniques on clay slab forms transforming the surface into a site of layered storytelling and protest.
Much like the hand-pulled posters of the 1968 uprisings, participants will experiment with high-contrast imagery, expressive mark-making, and the dynamic relationship between text and texture. You will learn how to transfer images onto clay using custom silkscreens, cut-paper stencils, and spontaneous monoprinting methods through guided demonstrations and open-ended exploration.
Whether you are a seasoned ceramicist or a newcomer, this workshop offers a tactile, hands-on experience in merging print and clay to create radical, one-of-a-kind surfaces.
*** Spaces are limited, so early registration is encouraged! Join us for an afternoon of bold imagery, layered textures, and the rebellious spirit of printmaking on clay then take home a set of uniquely printed slabs to fire and finish.
About Andrew Robinaon
Andrew Cornell Robinson is an interdisciplinary artist based in New York City. His oeuvre encompasses paintings, ceramics, and works on paper. Robinson’s work embodies an omnivorous approach to material; working across ceramics, sculpture, printmaking, and painting; working at a scale from the human to the hand held. He examines the tensions between the sacred and the profane often through personal memories that he confabulates into queer and peculiar histories re-imagined through a codex of images and artifacts. Each substrate incorporates layered, abstracted, or erased images that are juxtaposed with an assemblage of sculptural artifacts alluding to eccentric stories that live somewhere between personal and historical memory.
In this workshop, you'll explore the process of creating your own underglaze crayons, learning about the components and materials that make them unique. Led by Camila Ruiz, a ceramic artist with a PhD in biochemistry, you’ll gain insight into the chemistry behind underglazes, and how these materials interact to produce different colors and textures. Camila’s background in glaze formulation ensures that your creations are both practical and artistically expressive.
You’ll leave the workshop with a set of your own handmade underglaze crayons, ready to use in your ceramics practice.
The session will conclude with a color exploration led by Alva CalyMayor inspired by the work of Hilma af Klint, along with a reflection on how color relates to the seasons and spirituality.
ABOUT
Camila Ruiz is a ceramics artist from Montevideo, Uruguay who came to NYC to obtain her PhD in biochemistry. Camila’s background in chemistry is extremely valuable for formulating and creating new glazes, ensuring their safety and durability for a daily usage. The glaze making process requires an extensive knowledge of the materials used and the chemistry behind the reactions that occur during the kiln firing process. Her favorite glazes to make and use in her own art are matte glazes in earthy tones. She is a valuable ceramics instructor that teaches intermediate students in wheel and hand building.
Learn How To Sew By Cropping A Top | Saturday, May 3rd
Led by: Suyapa Alarcon & Lam Thuy Vo
Want to spruce up your wardrobe? How about cropping an oversized top? Or turning those old jeans into shorts? In this workshop, students will learn how to use a sewing machine to do simple modifications.
This workshop is geared to beginners. Artshack will provide a handful of sewing machines though students are welcome to bring their own machine if they have one at home and have always wanted to learn how to use it! Students should also be prepared to bring a piece of clothing to crop. Instructors will provide a handful of oversized t-shirts for practice.
This workshop series is for BIPOC participants.
Mending with Sashiko | Saturday, May 3rd Led by Lam Thuy Vo
Too many clothes end up in landfills because of small defects. But we can rescue many of our clothes by mending them. In this workshop, students will learn basic mending techniques, such as darning, patching and appliqué. We will also learn about sashiko, a Japanese form of embroidery that is used to enforce and decorate the fabric.
This workshop is geared to beginners. Participants are encouraged to bring clothes they want to mend and will be provided needles, yarn and scrap fabric.
This workshop series is for BIPOC participants.
